Delamar 05/2011
Mario Lämmerhirt: "I can recommend the alpha compressor to everyone who is looking to spice up their finished mixes or who is in need of an 'inaudible' dynamic toolbox. The alpha is a very good choice for the final tuning in mastering, especially because of its very transparent sound. You get a very versatile tool for influencing the dynamics of a track without changing its sound at all."
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Guitar Lounge 03/2011
Ludvig Nylund: "From all the compressors I’ve tried so far it’s one of the most flexible units without having a overly advanced and complex user interface to deal with. It’s easy to get it good sounding on almost everything, probably because it’s so transparent yet has the option of adding a little color when need with the push of a button."
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Beat 03/2010
Vera Schuhmacher: "elysia have managed to create a premium and very detailed emulation of their hardware flagship. Just like its analog archetype, the virtual compressor provides convincing results in many different applications. Besides its noteworthy open and clear sound, the plug-in surprises by its great flexibility and versatility as well as its beautiful and easy to operate user interface. A true milestone!"
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Buenasideas 02/2011
Andreas Eberhardt: "I am tossing pretty much all of my other compressor plugins into the trash! With the alpha compressor, elysia has created a plugin that does such a great job at a pretty low CPU load that it is pretty hard to believe. No matter if used for mastering or single tracks: the alpha compressor satisfies. It is astounding that a 'program' can sound this good."
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DV Magazine 02/2011
Daniel Sherratt: "It’s been impossible to find any fault with these plugins as their heritage is arguably one of the finest in the industry. I know we’re spoiled for choice at them moment in terms of software compressors, but they really stand apart from the usual roster of vintage ‘clones’, are so versatile and its very refreshing to see something truly different and groundbreaking come along."
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Recording.de 05/2011
Alexander Mann: "elysia's cooperation with Brainworx has resulted in a good and versatile compressor which cuts a fine figure both in everyday as well as mastering applications. It clearly stands above the crowd of maximizer tools and proves to be a useful and reliable precision instrument. I am giving a clear buying recommendation for it."
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Everythingrecording 12/2010
Bryan Adams: "I don’t even need to summarize this review. The audio files speak for themselves here. Did this plug-in accomplish the task at hand in acting like it’s analog brother? Well in my opinion it definitely did!"
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by Paul Vnuk Jr.
Recording Magazine (USA) – May 2011
elysia is a German designer of seriously high-end signal processors, all with small letters in their names and non-small price tags, from $5000 for the mpressor and museq to a cool ten grand plus for the mastering-grade alpha compressor.
Luckily for us mere mortals, the good folks at elysia have teamed with the circuit-modeling experts at Brainworx to create plug-in versions of their hardware. Let’s check out the software alpha compressor.
Features and layout
The alpha compressor (both hardware and software) is a stereo compressor that is optimized for mastering purposes, with features like true Mid-Side (M/S) compression, sidechain filters, soft clip limiting, a warmth circuit, parallel compression, and a unique EQ section called the niveau filter, which is also available on its own in plug-in format.
The plug-in layout mirrors the hardware’s: clean and Euro-stylish. A large round stereo gain reduction meter dominates the center of the unit, which also contains buttons for global bypass, M/S mode, and channel linking for stereo vs. dual mono use.
Each of the two channels has three rows of matching controls. The top row has Threshold, Attack, Release, and Ratio, and buttons for choosing feed forward or feedback compression, as well as auto fast attack and release. The second row has controls for the niveau filter and sidechain, and the last row offers controls for Mix, Gain, Soft Clipping, and Warmth.
The plug-in package also includes a single-channel version that’s useful for standard channel compression—essentially one half of the mastering version, minus the filter and soft clipping features.
Two sides: the mid one and the chain one!
A recent trend in mastering is to use EQ and compressors in a Mid/Side mode, applying compression and filtering to the mono/center information independently from the side/stereo information. I used this on a few stereo mixes and it was a really cool way to tighten up and bring out the stereo field while still sounding natural and controlled.
The alpha compressor’s sidechain is the most full-featured that I have seen in hardware or software. In most modern compressors, the sidechain is typically a glorified highpass filter that allows low-end information to pass through the unit without triggering the compressor, but the alpha’s sidechain is closer to placing a proper external EQ in a compressor’s sidechain input—it offers a choice of highpass or lowpass filtering, so in essence you can compress only the high end of a mix or just the lows.
Compression tricks
The alpha’s compression is mastering and bus-centric, an ultra-fast soft-knee style whose highest ratio is 2:1. Its flexibility is expanded with a number of well-chosen features.
First, this compressor offers two modes, feed forward and feedback. Switching from the alpha’s default feedback mode to feed forward changes both the compressors’ ratios to almost double, so you can get closer to a 4:1 compression, and alters the attack. To my ears, in this mode the alpha becomes a touch more “grabby and gooey” vs. “smooth and gluey” (Don’t you love technical terminology?).
Both the Attack and Release settings feature a button known as Auto Fast, that engages a semi-automatic program-dependent behavior.
On the hardware model there’s a button labeled Transformer, which when pressed adds a custom transformer into the signal chain. The plug-in’s Warmth button adds a slight warm harmonic tone to the sound. It is a subtle effect.
Soft clipping is an ultra fast-limiter circuit that smooths out quick transient material much like tape saturation, but again is still clean and subtle; it reminds me of a well mannered cousin of UAD’s Fatso Plug-in.
niveau filter
Finally there’s the niveau filter. It’s essentially like the single bass/treble knob on an old car stereo: clockwise boosts treble, counter clockwise highlights bass. This filter’s interesting twist is that as one set of frequencies comes up, the opposing frequencies go down. While this idea has been explored in the famous Baxandall EQ curves (as represented in the Dangerous Music BAX EQ) and in the Bass and Presence functions on the Brainworx bx_digital V2, elysia has taken it to extremes.
Frequency-wise it’s continuously variable from 26 Hz to 2.2 kHz, and when the X10 button is engaged the sweep covers 260 Hz to 22 kHz. At its most extreme settings, it turns into a highpass or lowpass filter. This lets you sculpt the tone through the alpha compressor in a variety of musical and beautiful ways.
Just on its own, the niveau filter is great for everything from subtle presence tweaks, rounding off harsh highs or lows, to freaky lo-fi effects and cuts like the old speaker/telephone trick... and it’s automatable so you can morph between all of the above. Even as just a set of HP/LP filters, it’s exceptional to have around.
And why not? Not only is it available as a feature of the alpha compressor, but it’s also downloadable from the good folks at elysia as a standalone plug-in... and they’re offering it for free!
In use: performance and power
The alpha compressor’s realism is due in part to its high level of oversampling, but that realism comes at a price. On my 2.5 GHz Core 2 Duo Macbook Pro with 2 GB of RAM in Cubase, I was only able to run 6 mono alpha compressors and one master stereo version before it pegged the VST performance meter and caused clicks and pops. Now admittedly this is a 5 year old laptop, but not all of us have the newest hardware, so keep this in mind.
Sonically the alpha is in the ultra clear hi-fi category; it adds control without altering your sound. Even in the more aggressive feedforward mode, it retains the sonic signature of the source material and stays out of the way. This thing does ‘subtle’ so well it’s scary. It’s the kind of compressor where you’re not sure what it’s doing until you bypass it... and then you realize it’s doing a lot, beautifully, without being heavy-handed.
You don’t need an iLok for the 14-day demo version, and the niveau filter is free from start to finish. Go grab these plug-ins and get ready to be very elegantly amazed!